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Announcing their favourite Bob Dylan album always brings about great controversy amongst music snobs. Some prefer the angry young man who points his finger like a gun at corruption and power, while others like the rock star circa '65 Dylan who didn't give a fuck if you hated rock music. Still others like the more mellow adult contemporary Dylan who has moved past his day of being an angry young man and just focuses on honing his trade. I prefer the first of these categories because I believe that it was when Dylan really hit his stride.
I was on my way to work yesterday thinking about classical music of today and, unlike the popular music of today, I think we are in a truly plentiful era for classical. While I really hate that term because it reeks of elitism, I think it's true. Sure we're lost many greats in the last 10 years or so, but the current legacy that many of today's classical composers are leaving will be felt for generations to come.
There are few albums that simultaneously bridge insane weirdness and commercial appeal. Albums like OK Computer, John Coltrane's later work and The Talking Heads' Remain in Light all come to mind. These album have attained a high level of commercial success, but have not compromised the original vision. These albums are very very rare. King Crimson's first album In the Court of King Crimson is one of them. I have been listening to this album for many years now and I am convinced that it is the crowning achievement in progressive rock (a term I have always hated)
There is a superficial understanding of the Blues in popular culture. It exists somewhere between Eric Clapton's contrived style and BB King's live shows in Vegas. The Blues has been turned into a commodity and an image rather than a way of life. I say this because compared to the true genius of Mississippi John Hurt and a handful of other acts, the blues just doesn't resonate like it used to.
Dear Justin,
There's a lot of cynicism about the state of music today. People are constantly saying that originality no longer exists and that the artists of today couldn't hold a finger to the artists of the past. I couldn't disagree more. Popular music has never been as diverse as it is today and artists are always bringing in new ideas and style to express themselves.
One of the great things about ipods is that you can unexpectedly revisit albums that you might not have listened to for quite some time. On my way home from work today I listened to what is in my opinion Muddy Waters best album, Folk Singer. The album features quite possibly the best cast of blues musicians ever assembled on any record (Clifton James, Willie Dixon and Buddy Guy) and is beautifully recorded and produced. It actually sounds like Muddy himself is performing just for you because you can hear all the subtleties of the recording studio. Muddy sounds great and his guitar work is pure genius. I can't recommend this album enough and I am very glad that I revisited it again after so many years,
I am very sad to say that soul legend Solomon Burke died this weekend in Amsterdam. For those who are familiar with his work, you know that he was a big man with an even bigger voice. He was a man of faith who shared buckets of love to anyone who was lucky enough to stand near him. If you've heard any of his live recordings or if you've seen him concert, you will know that his music brought people of all different backgrounds to their knees. Needless to say, the women loved him too!
If you are not familiar with Gang of Four, let me do you a HUGE favour and acquaint you with one of the coolest and most innovative bands of the past 30 years. They mix punk, funk and a few other arty flavors to make one of the coolest sounds around. While most critics cite their first two albums as two of the most innovative and creative works of the post-punk era, Gang of Four have been doing their thing for more than 30 years now. You owe it to yourself to check this band out!